Introduction To Rune Craft

[Mrs. Darth Vader]

This is a short introduction to Rune Craft. When you first work with runes you meditate on one rune per meditation session for 5 minutes. When you first start to meditate on runes, you start by drawing the rune shape in red and looking at the rune. Then you work up to 20 minutes of meditating. When 20 minutes comes easy you add two more runes for 5 minutes and go up to 20 minutes. The reason for a three rune combination is to direct your spell to desired results. For example you choose; Fehu, Sowillo and Eihwaz. These three together strengthen physic powers and magical will. You can of course just meditate on just one Rune for your own personal meditation. Doing the one Rune will get you the abilities listed on the one Rune. It is like psychic weight lifting. The more you do it the stronger you get. Eventually you want to be able visualize the runes in your head. Most spells are three rune combinations. The only exception to this rule of thumb is the Nideing pole or Revenge curse. The revenge curse is a six rune combination. This is the hardest to visualize and you need to put all your pain, hatred, anger, sadness and the feelings of the injustice that you suffered at the hands of the person you send this curse at. You do not use this curse as a first cause spell. Another words if said person has done nothing to you and you just feel like aggressing on said person, you would not choose this combination of runs because it will backfire on you. The reason a good case is necessary is because this curse is the rune equivalent to the "Avadar Kadavara" in Harry Potter series. This is a serious spell. There are other combinations to choose for things like manipulation and so on. When you have mastered Rune meditation, you then can make the sounds with your Rune or combonations of Runes. Here is where the resonant frequency comes in. You can charge up using a plasma ball if you want to add extra electricity to your natural body electricity.

The Rune Craft I am teaching is based on the “Futhark” by Edred Thorson. There is a companion book that goes with this book called “At The Well Of Wyrd”. This tells you how to do Rune Divination. Another good book on Runes is called “The Book Of Runes” by Ralph Blum. He uses a slightly different set of Runes and is some what different than Thorson’s. Blum adds one unique feature which I like and found interesting which is the Blank Rune. I will quote this Rune from the book because I liked it.

The Blank Rune.




“Blank is the end, blank the beginning. This is the Rune of total trust and should be taken as exciting evidence of your most immediate contact with your own true destiny which, time and again, rises like a phoenix from the ashes of what we call fate.

The Blank Rune can portend a death. But that death is usually symbolic, and may relate to any part of your life as you are living it now. Relinquishing control is the ultimate challenge for the spiritual warrior.

Here the unknowable informs you that it is in motion in your life. In that blankness is held undiluted potential. At the same time both pregnant and empty it comprehends the totality of being, all that is to be actualized. And if, indeed, there are “matters hidden by the gods,” you need only remember: what beckons is the creative power of the unknown.

Drawing the Blank Rune: brings to the surface your deepest fears: will I fail? Will I be abandoned? Will it be taken away? And yet your highest good, your truest possibilities and all your fertile dreams are held within that blankness.

willingness and permitting are what this Rune requires, for how can you exercise control over what is not yet informed? The Blank Rune often calls for no less an act of courage and than the empty-handed leap into the void. Drawing it is a direct test of faith.

The Blank Rune represents the path of Karma-the sum total of your actions and of their consequences. At the same time, this Rune teaches that the very depth of old, Karma shift and evolve as you shift and evolve. Nothing is predestined: The Oracles of your past can become gateways that lead to new beginning.

Whenever you draw the Blank Rune, take heart: no that the work of self change is progressing in your life.”

Here is a picture of what the Runes look like;

i190.photobucket.com/albums/z209/mrsdarthvader/futhark.gif

Rune Craft, in my opinion has the best chance of working because Rune streams are based in electricity and resonant frequency.

[Mrs. Darth Vader]

The fallowing post is from the Force Study Center. I thought it would go well here because it is the hard science of resonant frequency.

Ahwah
I liked your post. You should read the book called "The Elegant Universe" by Brian Greene. In that book Brian Greene gives you a brief history of Quantum Mechanics. Then he moves on to his life's work in String Theory. String Theory states that at the smallest level is tiny vibrating Strings. The strings are tiny bits of energy that are Planck Length. This is the smallest thing in the universe. Nothing is smaller than Planck Length. As you might have guessed it is named after Max Planck. It is only considered a theory at this time because today we do not have instruments that can "see" the string. Our instruments only see it as a point particle hence the debate in the physics community. Some physicists say it is a point particle and that is inside the Quark. Others like Brian Greene, Edward Witten and now Steven Hawking is helping the String Theory. The String is very small and has different shapes. Some are like bed springs that coil. Others go in a circle. The vibration of the string determines what the object will be. This is what is discussed in "The Elegant Universe".

This naturally leads directly into another subject in which Nikola Tesla was an expert on; and that is resonant frequency. Resonant frequency is based on the vibrations that sounds make. Every object has locked in it a resonant frequency. This idea was believed by Nikola Tesla. If an object goes into resonance with a vibrating sound or pounding than the object will shake violently and shatter. Example;

www.youtube.com/watch?v=17tqXgvCN0E

This is fact and proven. Tesla once even almost caused a building to collapse due to resonance with a small oscillator. The next quote tells the story of how Nikola Tesla almost brought down the "House". This part is not on the other board but very relevant.

“ Tesla pursued his studies of mechanical vibrations in many directions. This was almost a virgin field for scientific research. Scarcely any fundamental research had been done in the field since Pythagoras, twenty-five hundred years before, had established the science of music through his study of vibrating strings; and many of the wonders with which Tesla had startled the world in the field of high frequency and high-potential currents had grown out of his simple secret for tuning electrical circuits so that the electricity vibrated in resonance with its circuit. He now visualized mechanical vibrations building up resonance conditions in the same way, to produce effects of tremendous magnitude on physical objects.
In order to carry out what he expected to be some minor and very small-scale experiments, he screwed the base of one of his small mechanical oscillators to an iron supporting pillar in the middle of his laboratory and set it into oscillation. It had been his observation that it took some time to build up its maximum speed of vibration. The longer it operated the faster the tempo it attained. He had noticed that all objects did not respond in the same way to vibrations. One of the many objects around the laboratory would suddenly go into violent vibration as it came into resonance with the fundamental vibration of the oscillator or some harmonic of it. As the period of the oscillator changed, the first object would stop and some other object in resonance with the new rate would start vibrating. The reason for this selective response was very clear to Tesla, but he had never previously had the opportunity to observe the phenomenon on a really large scale.” Page 158 and 159 in “Prodigal Genus” by James O’Neill. He then goes on to describe the neighborhood that Tesla Laboratory was located in. Tesla was located in an upper floor. About three hundred feet south was the police headquarters. Packed in between in this block was both an Italian and Chinese tenement houses. Everyone thought that it was an earth quake.
“He busied himself with preparations for it while his oscillator on the supporting iron pillar of the structure kept building up an ever higher frequency of vibrations. He noted that every now and then some heavy piece of apparatus would vibrate sharply, the floor under him would rumble for a second or two-that a window pane would sing audibly, and other similar transient events would happen-all of which was quite familiar to him. These observations told him that his oscillator was tuning up nicely, and he probably wondered why he had not tried it firmly attached to a solid building support before.
Things were not going so well in the neighborhood, however. Down in Police Headquarters in Mullberry Street the “cops” were quite familiar with strange sounds and lights coming from the Tesla laboratory. They could hear clearly the sharp snapping of the lightening created by his coils. If anything queer was happening in the neighborhood, they new that Tesla was in back of it in some way or other.
On this particular morning the cops were surprised to feel the building rumbling under their feet. Chairs moved across floors with no one near them. Objects on the officer’s desks danced about and the desks themselves moved. It must be an earthquake! It grew stronger. Chunks of plaster fell from the ceilings. A flood of water ran down the stairs from a broken pipe. The windows started to vibrate with a shrill note that grew more intense. Some of the windows shattered.
“That isn’t an earthquake,” shouted one of the officers “it’s that blanety-blank Tesla. Get up there quickly”, he called to a squad of men, “and stop him. Use force if you have to, but stop him. He’ll wreck the city.”
The officers started on a run for the building around the corner. Pouring into the streets were many scores of people excitedly leaving near-by tenement and factory buildings, believing an earthquake had caused the smashing of windows, breaking of pipes, moving of furniture and the strange vibrations.
Without waiting for the slow-pokey elevator, the cops rushed up the stairs-and as they did so they felt the building vibrate even more strongly than did police headquarters. There was a sense of impending doom-that the whole building would disintergrate-and their fears were not relieved by the sound of smashing glass and the queer roars and screams that came from the walls and floor.
Could they reach Tesla’s laboratory in time to stop him? Or would the building tumble down on their heads and everyone in it be buried in the ruins, and probably every building in the neighborhood? Maybe this time it would be destroyed by that agent of the devil that they call electricity!
Just as the cops rushed into Tesla’s laboratory to tackle-they knew not what-the vibrations stopped and they beheld a strange sight. They arrived just in time to see the tall gaunt figure of the inventor swing a heavy sledge hammer and shatter a small iron contraption mounted on the post in the middle of the room. Pandemonium gave way to a deep, heavy silence.” Page 160 and page 161 of “Prodigal Genus(The Life Of Nikola Tesla) by James O’Neill.